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The Star Wars comic strip appeared in newspapers 1979-1984, written and illustrated by Russ Manning (1929-1981) until poor health forced him to retire. But Manning was not the first choice to illustrate this iconic Sci-Fi strip. That distinction fell to the legendary Al Williamson (1931-2010), of EC Comics fame and known for his work on the Flash Gordon comic strip of the 1960s. While Williamson did fully illustrate 12 strips (two weeks' worth) of original art, the deal fell through and this initial proposal was scrapped. Williamson would return to the Star Wars strip in 1981, working on the strip until its conclusion in 1984. Thankfully, Williamson's initial two weeks' worth of strip artwork was preserved. Star Wars creator George Lucas retains the original art for the first weeks' worth of strips while art for the second week went to Charles Lippincott (1939-2020), the man whose marketing savvy helped make Star Wars the pop culture juggernaut it is to this day. Offered here is Williamson's pen and ink (w/screentone accents) original art for his tenth Star Wars daily strip, which retold the opening sequence of Star Wars. 7.25x20" artboard features five panels, showing C-3PO and R2-D2 making their way through desert canyon before being ambushed by Jawas. Last panel shows R2-D2 rebooting within the Jawas' Sandcrawler, much to C-3PO's relief. C-3PO appears in first and last panels while R2-D2 appears in all but third panel, which features two Jawas. Williamson has signed last panel. Upper left corner has been hand-numbered "10" in black ink. Some even aging to screentone in first panel, o/w art is clean and Exc. The strips eventually saw print in The Art Of Al Williamson book by James Van Hise (1983) and more recently in Marvel/IDW's Star Wars: The Classic Newspaper Comics Vol. 2 (2017) hardcover. This is the first time this art has come to auction and will provide diehard Star Wars fans and comic art collectors a once-in-a-lifetime opportunity to add this fabled art to their collection. Al Williamson Star Wars strip art virtually never comes up for sale, let alone art of this magnitude. From the collection of Charles Lippincott.
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